Timeless heartless women

As some of my readers have correctly pointed out, not all the courtesans were as kind-hearted and noble souls as Glycera – and this is obviously common sense corroborated by facts… In truth very many are the examples of  such greedy and unscrupulous women which can be found in ancient literature, actually – for the records… – they unquestionably exceed in number the loving and tender-hearted ones. Both ancient Greek and Latin literature profusely portray all different kind of concubines and prostitutes, often by stressing particularly in sarcastic and condemning tones their insatiability for richness, their absolute lack of scruples and their moody disposition and whimsical attitude.

Admittedly though, to their excuse, it must be said they were normally initiated to their art from a very young age often because of financial restraints, as Lucian of Samosata depicts in this following mime between mother Crobyle and daughter Corinna:

CROBYLE: … I want to instruct you how you should behave with men. Take my oath daughter, we have only your favour with men to depend upon for our living. You can’t figure how tough it has been for us to survive since your good father’s death. We lacked nothing when he was alive. He had quite a standing as a blacksmith in the Piræus. Everyone says there will never be another blacksmith like Philipinos. After his death I traded his pincers, forge and hammer for two hundred drachmas. We have lived on that for quite a while. I’ve found a job knitting and turning thread, earning just enough to buy us some bread. I have raised you, however, my beloved little daughter. You are the only hope that is left to me… you will earn a lot of money by being caring to nice young men, drinking in their company and sleep with them – this for money, obviously.

CORINNA: (Scandalized): You imply like Lyra, the daughter of Daphnis?


CORINNA: But she is a courtesan!

CROBYLE: So what? There is no mischief in that. You will become wealthy. You are sure going to have many lovers.

CORINNA: (sobs and cries)

And often in their adolescence, as Alciphron reports in this letter below, they had to fight against their own feelings in so much as the reasons of the heart were eventually defeated by plain financial calculations and crude survival necessities:

“Oh Mother, I am at my wit’s end! It is impracticable for me to marry the young Methymnaean, the pilot’s son, to whom my father recently engaged me, since I have seen this young man from the city, who carried the holy palm branch, when you gave me authorization to go to Athens for the celebrations of the Oschophoria. Ah, mother, how gorgeous he is! how attractive! His locks are curlier than moss; he laughs more agreeably than the sea in a calm; his eyes are cerulean, like the ocean, when the first beams of the rising sun shine upon it. And his whole countenance? You would say that the Graces, having abandoned Orchomenus [city in Beotia], after bathing in the fountain of Gargaphia, had come to frolic around his cheeks. On his lips blossom roses, which he seems to have plucked from Cytherea’s bosom to decorate them. He must either be mine, or, following the example of the Lesbian Sappho, I will throw myself, not from the Leucadian rocks, but from the crags of Piraeus, into the waves.”

And again on the same theme of the conflict between convenience and sentiments Lucianus of Samosata portrays in this dialogue a true lecture of scepticism given by this experienced mother to her too candid – alas! Not for too long I am afraid… – daughter:

MOTHER. …You see how much this boy is bringing us? Not one obol, no clothing, not a pair of sandals, not even a vase of cream has he ever given you; it is all oaths and promises and future prospects; always: “should my father die I shall inherit and everything would be yours”. And thus – as you say – he swears you will become his wife.

MUSARIUM. Oh yes, mother, he swore it, by the two Goddesses and Polias.

MOTHER. And you believe him, without doubt!? So much that the other day, when he had a payment to perform and nothing to pay with, you just gave him your ring without even consulting me, and its value just became drink…

MUSARIUM. He is so beautiful with his smooth chin; and he loves me, and weeps telling me that; and he is the son of Laches the Areopagite and Dinomache; and we shall soon become his real wife and mother-in-law, you know; we have great prospects, if only the old man would kick the bucket.

MOTHER. …They [Musarium’s girlfriends] have more common sense; they know their trade better than to link their faith to the worthless words of a boy with a taste for lover oaths. But you go in for faithfulness and true love, and will have nothing to say to anybody but your Chaereas. There was that farmer from Acharnae the other day; his chin was smooth as well; and he brought us the two minae he had just obtained by selling his father’s wine; but you, oh no sir! You sent him away with scorn; nobody but your Adonis for you….Do you expect to be eighteen all your life Musarium? or that Chaereas will keep his promises once has his patrimony, and his mother finds a match that will bring him another one? You don’t believe he will keep in mind his tears and kisses and promises, with five talents of dowry to distract him.

MUSARIUM Mother, you could not expect me to betray Chaereas and let that horrible worker (yak!) approach me. Poor Chaereas! he is my baby and my pet…

MOTHER. I only hope this all will be true. I shall jog your memory about this when the time comes.

Well, so far the heart seems still to be there. Nonetheless later in their years either pushed by the adversities of their trade and by the difficulties of everyday life, or simply by the growing greediness for a luxurious life, or more likely by the uncertainties of their future associated to the unstoppable sunset of their beauty and the unavoidable decadence of their “body assets”, these women were able to touch the deepest forms of cynicism and behave in the rudest materialistic conduct, as it is depicted in this courtesan’s “blunt” letter (composed by Alciphron) – where she is refusing any further contact with this unlucky and financially ruined lad:

“Why do you waste your time writing me so often? I want fifty gold pieces, not letters. If you do love me, well give them to me; but if you are too attached to your money, don’t bother me. Farewell.”

And especially this other rather “scary” letter, again composed by one of Alciphron’s courtesan-personages in response to a marvellous heart-breaking, full of tears love letter of her unfortunate, sincere, but now “bankrupt”, lover :

“How I wish that a woman’s household could be maintained on tears! I should live majestically, for I know you would keep me lavishly supplied with them; but, as it is, unhappily we want cash, garments, ornaments and maids. Our activities rely exclusively upon this. I have no estates at Myrrhinus, no split in the silver mines; I only depend upon the little gifts I am given, and the favours of silly lovers, squeezed from them with many moans and tears. I have known you now for more than one year, and I am no better for it. My hair is awful; it has not seen any oil all this time. I only wear one Tarentine tunic, so aged and tattered that I am absolutely embarrassed to be seen in it by my friends. I hope I may have better luck! And do you think that, while I stand by you, I shall be capable to find other resources? You weep; be sure that won’t last long. But I shall be fairly starving, unless I can discover a lover to give me something. I question your tears: how ridiculous they are! O Aphrodite! You say, Simalion, that you are crazy in love with a woman, and that you cannot live without her. Well, my friend, have you no precious drinking-cups at home? Has not your mother some jewels? Cannot you get some values belonging to your father? How lucky is Philotis! The Graces have bestowed her with favours. What a great lover she had in Meneclides, who each day presents her with something. That is way better than your tears. And me miserable girl, I have no lover, but a rented mourner, who sends me nothing but flowers and garlands, just like I was to beautify an early tomb for me, and proclaims that he cries all night. Well if you can bring me anything, come and meet me, but please — no tears. Or else, keep your sorrow to yourself, and stop bothering me.

However it is remarkable how avid ruthless women and weak pathetic lovers are to be found throughout literature of all times. Very explicit and hopelessly straightforward, sound the appalling words of the late XIX century Viennese courtesan Josephine Mutzenbacher portrayed by Felix Salten:

If you consider a year has 365 days, and calculating at least three men a day, you get around one thousand and one hundred men a year, thus over thirty thousands in three decades. Quite an army… You cannot pretend I can account for each of those “brushes” who “dusted” me… Ultimately love is a stupid thing. A woman resembles an old fipple pipe, with only a couple of holes from which you can get only two, three notes.”

Naturally a magisterial example of the power exercised by greedy cold-blooded women is Nana – it is simply unforgettable her pitiless conduct and voraciousness for all the riches of Paris pursued by exploiting every single inch of her natural “endowments” and every penny of her ill-fated lovers:

“This was the period of her life when Nana lit up Paris with redoubled splendour. She rose higher than ever on the horizon of vice, dominating the city with her insolent display of luxury and contempt of money which made her openly squander fortunes. Her house had become a sort of glowing forge, where her continual desire burned fiercely and the slightest breath from her lips changed gold into fine ashes which the wind swept away every hour. Nobody had ever seen such a passion for spending. The house seemed to have been built over an abyss in which men were swallowed up – their entire possessions, their bodies, their very names – without leaving even a trace of dust behind them.”

And how to forget the frightful, bitter and dry sense of power and self-contemptuousness of Madam Michèle de Burne, when another unfortunate victim falls into her cage?:

“Restée seule, elle sourit avec une joie victorieuse. Les premiers mots lui avaient suffit pour comprendre que c’était là, enfin, la déclaration d’amour. Il avait résisté bien plus qu’elle n’aurait cru, car depuis trois mois elle le captait avec un grand déploiement de grâce, des attentions et des frais de charme qu’elle n’avait jamais faits pour personne. Il semblait méfiant, prévenu, en garde contre elle, contre l’appât toujours tendu de son insatiable coquetterie. Il avait fallu bien des causeries intimes, où elle avait donné toute la séduction physique de son être, tout l’effort captivant de son esprit…pour qu’elle aperçût enfin dans son oeil cet aveu de l’homme vaincu, la supplication mendiante de la tendresse qui défaille. Elle connaissait si bien cela, la rouée! Elle avait fait naître si souvent, avec une adresse féline et une curiosité inépuisable, ce mal secret et torturant dans les yeux de tous les hommes qu’elle avait pu séduire! Cela l’amusait tant de les sentir envahis peu à peu, conquis, dominés par sa puissance invincible de femme, de devenir pour eux l’Unique, l’Idole capricieuse et souveraine!”

Unquestionably Huysmans vividly – yet very sadly – did synthesise this awful state of affairs within Paris de fin siècle :

“Fathers devoted their lives to their businesses and labours, families devoured one another on the pretext of trade, only to be robbed by their sons who, in turn, allowed themselves to be fleeced by women who posed as sweethearts to obtain their money. In all Paris, from east to west and from north to south, there existed an unbroken chain of female tricksters, a system of organized theft, and all because, instead of satisfying men at once, these women were skilled in the subterfuges of delay.”

Apparently altogether quite a dismaying scenario; thus, along with old wise Monsieur Lamarthe, it can only be simply acknowledged and always born in mind:

“…dans notre jeune société riche, les femmes n’ont envie et besoin de rien et n’ont d’autre désir que d’être un peu distraites, sans dangers à courir…”

Dignified slaves, venerable masters

Slavery in ancient Greece was a significant social and economical feature; this was – likewise anywhere else in the ancient world – undeniably a widespread custom that characterised Hellenic poleis, and further political institutions, during their entire development and history. There were a few actual forms of slavery: mainly chattel slavery, but also there were state-owned-slaves (as the Athens’ Scythians guards) as well as serfdom (the helots in Sparta or the penestaeΠενέσται of Thessaly). Any of all of these forms were generally accepted, deemed ordinary and quite indispensable to the normal course of economy, war and general living as it was deeply analysed by Aristotle in his Politics and by Plato in his Laws as well.

Ancient Greek comedy (and its largely transposed Latin versions as well) has plenty examples of various slave characters: helpful and devote, astute and pitiless and ignorant and stupid, yet always within the unquestioned social framework where they maintained their status of mere personal properties. Nevertheless, in spite of this generalised reduction to very objects – just belongings to fully dispose of – during the end of the classic age, perhaps further to the evolution of the civil thought and maybe under the wave of the spreading Sophistic phenomenon, it is possible to gather examples of a rather modern reappraisal of the slave as human being, albeit to some extent quite lamely and without any legal influence on his/her destiny.

In literature a remarkable example of the consideration that slaves were slightly gaining is for instance palpable during this moving dialogue by Euripides in his tragedy Helen:

MESSENGER: Whoever pays no reverence to his master’s affairs, rejoicing with him and grieving with his troubles, is worthless. Although I was born a servant, let me still be numbered among honest slaves; my mind is free, if not my name. For this is better than to suffer double misery as one man: to have a worthless heart and, being a slave, to owe obedience to any other.

MENELAUS: Come, old man – often by my shield you have had your full share of trouble and hard work now also have a share in my success.

Once again, the same Euripides, in another work – namely Ion – focuses on loyalty and dignity of this servant and solicits a greatly important distinction between social/legal status and actual decorum and humanity:

TUTOR: I wish to help you in this work, and kill the boy, entering the house where he is preparing the feast, and when I have paid back my living to my masters, either to die, or live and see the light.

There is one thing in slavery that brings shame, the name; in all other respects a good slave is no worse than the free-born.

It is striking remarkable though, that these promising examples from the ancient Greek literature do not come only from tragedy. Actually the most significant contributions in terms of what nowadays we would probably call defence of the human rights came from speeches written by logographers (i.e. speechwriters who used to be hired to arrange and write speeches that were meant to be delivered by another person) or rhetors with political and/or legal professional background and skills.

One interesting example is found in a scholiast to Aristotle’s Rhetoric: in the very paragraph where he is trying to define justice and law:

“Let us now classify just and unjust actions generally, starting from what follows. Justice and injustice have been defined in reference to laws and persons in two ways. Now there are two kinds of laws, particular and general. By particular laws I mean those established by each people in reference to themselves, which again are divided into written and unwritten; by general laws I mean those based upon nature. In fact, there is a general idea of just and unjust in accordance with nature, as all men in a manner divine, even if there is neither communication nor agreement between them

where is quoted a fragment of a speech – the Messeniakos – delivered by Alcidamas of Elaea (a scholar of Gorgias the sophist) a renowned orator, in favour of the insurgency of the Messenians against Sparta:

God has left all men free; nature has made none a slave”.

Another famous Athenian rethor, Antiphon, had particularly modern ideas in so far as equality and human dignity are concerned:

“By nature we all equally possess with all respect the same origin, both Greeks and Barbarians”

Nonetheless they all seem quite weak and rather isolated voices, within a strongly consolidated practice and social framework, as Xenophon in his Memorabilia reports within this insightful dialogue:

EUTHERUS “I came home when the war ended, Socrates, and am now living here,” he replied. “Since we have lost our foreign property, and my father left me nothing in Attica, I am forced to settle down here now and work for my living with my hands. I think it’s better than begging, especially as I have no security to offer for a loan.”

SOCRATES “And how long will you have the strength, do you think, to earn your living by your work?”

EUTHERUS “Oh, not long, of course.”

SOCRATES “But remember, when you get old you will have to spend money, and nobody will be willing to pay you for your labour.”


SOCRATES “Then it would be better to take up some kind of work at once that will assure you a competence when you get old, and to go to somebody who is better off and wants an assistant, and get a return for your services by acting as his bailiff, helping to get in his crops and looking after his property.”

EUTHERUS “I shouldn’t like to make myself a slave, Socrates.”

SOCRATES “But surely those who control their cities and take charge of public affairs are thought more respectable, not more slavish on that account.”

EUTHERUS “Briefly, Socrates, I have no inclination to expose myself to any man’s censure.”

SOCRATES – “But, you see, Eutherus, it is by no means easy to find a post in which one is not liable to censure. Whatever one does, it is difficult to avoid mistakes, and it is difficult to escape unfair criticism even if one makes no mistakes. I wonder if you find it easy to avoid complaints entirely even from your peasant employers. You should try, therefore, to have no truck with grumblers and to attach yourself to considerate masters; to undertake such duties as you can perform and beware of any that are too much for you, and, whatever you do, to give of your best and put your heart into the business. In this way, I think, you are most likely to escape censure, find relief from your difficulties, live in ease and security, and obtain an ample competence for old age.”

However, although the question was merely slightly raised in maybe some of the more progressist Athenian intellectual circles, apparently there is no trace of a motion submitted to the attention, discussion or vote of the ecclesia on this matter, hence there is no evidence that an actual political or institutional change took place with reference to slavery whatsoever – well small wonder considering it as such a huge industry, profitable business and strong economic infrastructural backbone.

It is albeit quite impressive that this debate developed concurrently with the descending glory of post-Pericles’ age; a circumstance perhaps more than purely coincidental with Hermann Broch’s epoch: a period (1920/1940) he considered as the sunset of spiritual certainties and the eclipse of what was deemed sacred in Mitteleuropa, entirely swept by the fury of the mass propelled by creed discrepancies and inhuman ethnic pseudo-ideologies. He portrayed, in an extremely thorny style, Virgil on his deathbed dialoguing with his Emperor Caesar Octavian Augustus, and the divine poet – the very same who wrote of Turnus begging for mercy and yet hard-heartedly slain by Aeneas – solicits two acts of kindness of the Emperor, namely to set free his slave and to prove compassion to the subjugated:

be lenient to the conquered and temper your arrogance to that end.

Sallust: a disenchanted moralist

“Since when wealth became to be considered an honour, and glory, authority, and power attended on it, virtue lost her influence, poverty was thought a disgrace, and a life of innocence was regarded as a life of ill-nature. From the influence of riches, accordingly, luxury, avarice, and pride prevailed among the youth; they grew at once rapacious and prodigal; they undervalued what was their own, and coveted what was another’s; they set at nought modesty and continence; they lost all distinction between sacred and profane, and threw off all consideration and self-restraint”.

This sad portrait of times that are changing most certainly sounds like one of those brief – and perhaps somewhat trite – social backgrounds that normally accompany a comment-article on today’s degeneration of costumes and youth’s lack of moral values; it could resemble a sad and sour comment found in the papers beside one of the last tragic young-people-related breaking news or a new – and alas! nowadays not anymore a “scoop” … – political scandal… Ultimately words and remarks like these could have been easily extracted from the New York Times or The Guardian. Yet, they have been written exactly 2000 years ago by Sallust (Gaius Sallustius Crispus) a – to some extent – controversial ancient Roman politician and excellent historian, acute observer and brilliant interpreter of his own times:

“Postquam divitiae honori esse coepere et eas gloria imperium potentia sequebatur, hebescere virtus, paupertas probro haberi, innocentia pro malevolentia duci coepit. Igitur ex divitiis iuventutem luxuria atque avaritia cum superbia inuasere: repere consumere, sua parvi pendere, aliena cupere, pudorem pudicitiam, divina atque humana promiscua, nihil pensi neque moderati habere. Operae pretium est, cum domos atque villas cognoueris in urbium modum exaedificatas, visere templa deorum, quae nostri maiores, religiosissimi mortales, fecere”.

Rich, but not noble by birth, Sallust owed his early political success to Julius Caesar whose protective wing was hovering on him; although later on the verge of his denounce of the famous conspiracy against the Republic conceived by Lucius Sergius Catilina (Catiline), depicted by Sallust in his De Catilinae Coniuratione as a merciless and unscrupulous political criminal, he might have willingly forgotten that Julius Caesar could have been behind the early steps of the attempted coup and would have gained several advantages from its success… however, apparently when Catiline started recruiting rioters from the lower classes (seemingly even slaves) Julius Caesar and Crassus took their distance from the revolutionary plans and consul Cicero eventually discovered and diverted the putsch.

Perhaps due to his radical approach to politics, or simply because of the complex and quite confused and anarchical scenario of those days, Sallust himself was – it seems on false grounds – impeached and expelled from the Senate probri causa; but shortly after he was reinstated by Julius Caesar and appointed pro-consul of Numidia (the present Algeria). There he accumulated an enormous wealth that allowed him, once he retired after Caesar’s death, to devote himself to otium and writings in a magnificent mansion celebrated for its gardens: horti sallustiani.

De Catilinae Coniuratione was Sallust’s first published writing and it may be considered the first historical-theme monograph of Latin literature. Its structure and development follows the Hellenistic paradigm consisting of an introduction, description of the central character, a description of the social/political/ethical environment and then facts, documents and speeches. Within this framework Sallust was able to dart against the overly spreading dishonesty, the decadence of aristocracy, the lack of social commitment and the corruption of youth:

“Fortune then began to exercise her tyranny, and to introduce universal innovation. To those who had easily endured toils, dangers, and doubtful and difficult circumstances, ease and wealth, the objects of desire to others, became a burden and a trouble. At first the love of money, and then that of power, began to prevail, and these became, as it were, the sources of every evil. For avarice subverted honesty, integrity, and other honourable principles, and, in their stead, inculcated pride, inhumanity, contempt of religion, and general venality. Ambition prompted many to become deceitful; to keep one thing concealed in the breast, and another ready on the tongue; to estimate friendships and enmities, not by their worth, but according to interest; and to carry rather a specious countenance than an honest heart. These vices at first advanced but slowly, and were sometimes restrained by correction; but afterward, when their infection had spread like a pestilence, the state was entirely changed, and the government, from being the most equitable and praiseworthy, became rapacious and insupportable”.

Once again this above would easily be considered the outburst of indignation of a disappointed old citizen remembering the good old days, or the dismay of a voter against the scandalous turns of society and unreliability of politicians and politics. Yet, this is still Sallust who again rushes violently, against greed, shallowness and hyper-ambition; and his utmost motive of preoccupation and rage is the conduct of the younger generations:

“…saevire fortuna ac miscere omnia coepit. Qui labores, pericula, dubias atque asperas res facile toleraverant, iis otium divitiaeque, optanda alias, oneri miseriaeque fuere. Igitur primo pecuniae, deinde imperi cupido crevit: ea quasi materies omnium malorum fuere. Namque avaritia fidem probitatem ceterasque artis bonas subuertit; pro his superbiam, crudelitatem, deos neglegere, omnia venalia habere edocuit. Ambitio multos mortalis falsos fieri subegit, aliud clausum in pectore, aliud in lingua promptum habere, amicitias inimicitiasque non ex re, sed ex commodo aestimare, magisque vultum quam ingenium bonum habere. Haec primo paulatim crescere, interdum vindicari; post ubi contagio quasi pestilentia inuasit, civitas immutata, imperium ex iustissimo atque optimo crudele intolerandumque factum.

In truth in so far as younger generations are concerned not even Pericles’ Athens was a true Garden of Eden. The heroes of Marathon, only a few decades earlier, struggling for survival and for the protection of the city walls from the Persian invaders had been a fantastic inspiration for civil unity, political growth and social and cultural progress. Thus collectively allowed by several marvellous – by many judged historically unrepeatable – circumstances, and economically funded by the treasure of the Delian League a widely diffused high level of prosperity and a remarkable sense of safety and wellness had spread almost all over the population (meaning of course principally the urban Attic inhabitants of male gender and free from slavery…). Nonetheless the new generations were now born with a sort of natural swanky self-confidence, without any particular inclination towards sacrifice or room for any social conscience or a true civil involvement. As Professor Schachermeyer pointed out in analysing Pericles’ Golden Age:

“The new generation, lacking the push of danger or necessity, became lazy and indolent. Even within the families the so called trigenerational scheme reveals its typical succession: while the first generation starts an enterprise with hard work and the second one enlarges its size, the third one puts everything it has inherited in jeopardy because of its carelessness and arrogance.

…in those days it was frequent too see too loving and permissive, and thus weak, fathers and too insolent ungrateful children…

Therefore even in the Athens of the Pentecontaetia the richness and welfare so hardly gained, accompanied by the disappearance of moderation and rigorousness soon left room to a decaying society and its dissolving moral and values. Thus in that unparalleled half century where flourished arts and culture which have influenced the entire Western civilisation, many youths lost any inhibition and ethics facing their existence without any vacillation: aspiring to a life only of pleasures within a luxurious environment, where everything was allowed and any ill-action arguable and defendable by simply being socially highly recognised, boldly witty, politically well connected and above all rhetorically endowed – conducts and vices that the greatest play-writer Aristophanes portrays in such numerous and brilliant personages and dialogues:

CHORUS LEADER: Now down to work, you spinner of words,
you explorer of brand new expressions.
Seek some way to persuade us, so it will appear
that what you’ve been saying is right.

PHEIDIPPIDES: How sweet it is to be conversant with
things which are new and clever, capable
of treating with contempt established ways.
When I was only focused on my horses,
I couldn’t say three words without going wrong.
But now this man has made me stop all that,
I’m well acquainted with the subtlest views,
and arguments and frames of mind. And so,
I do believe I’ll show how just it is
to punish one’s own father.

These young people, mainly belonging to the Athenian fast growing mercantile class were enthusiastic only with luxury and extravagance; dreamed of a life of pure and sole enjoyment and were interested in any petty thing only for a very short while and then got easily bored. How many ancient Greek plays describe parsimonious bourgeois fathers struggling against dissipating children who wasted all their finances with comrades, parasites, courtesans and consequently assiduously eroding the family wealth. Crucial was the circumstance that the youth did not want anything to do with moral, did not see in the polis anything but an institution to be exploited in order to satisfy their own interests and get rich and famous quickly… actually so far nothing unheard or unfamiliar to a young man like myself and not at all an antiquate behavioural analysis of modern life’s goals and ambitions…

It is remarkably curious how these perceptions and complaints keep coinciding as we move along the centuries as well as we switch latitude/longitude. Huysmans describing French society of late nineteenth century vividly laments the absolute superficiality and impoliteness of French youths:

Bien que les penchants utilitaires transmis par l’hérédité et développés par les précoces impolitesses et les constantes brutalités des collèges, eussent rendu la jeunesse contemporaine singulièrement mal élevée et aussi singulièrement positive et froide, elle n’en avait pas moins gardé, au fond du coeur, une vieille fleur bleue, un vieil idéal d’une affection rance et vague.

The writer also plunges at the decadence of nobility and the greed and vulgarity of the fast growing bourgeoisie:

Après l’aristocratie de la naissance, c’était maintenant l’aristocratie de l’argent; c’était le califat des comptoirs, le despotisme de la rue du Sentier, la tyrannie du commerce aux idées vénales et étroites, aux instincts vaniteux et fourbes.

Plus scélérate, plus vile que la noblesse dépouillée et que le clergé déchu, la bourgeoisie leur empruntait leur ostentation frivole, leur jactance caduque, qu’elle dégradait par son manque de savoir-vivre, leur volait leurs défauts qu’elle convertissait en d’hypocrites vices; et, autoritaire et sournoise, basse et couarde, elle mitraillait sans pitié son éternelle et nécessaire dupe, la populace, qu’elle avait elle-même démuselée et apostée pour sauter à la gorge des vieilles castes!

…classe bourgeoise qui avait peu à peu monté, profitant de tous les désastres pour s’enrichir, suscitant toutes les catastrophes pour imposer le respect de ses attentats et de ses vols?

It is striking how Huysmans conclusion on the raising magnitude given simply and solely to money, luxury and power by an increasing number of one-dimensional people:

…rassurée, trônait, jovial, de par la force de son argent et la contagion de sa sottise…. Le résultat de son avènement avait été l’écrasement de toute intelligence, la négation de toute probité…

does not differ, in spite of the 1900 years of distance in between, from the lapidary but sadly modern thought of Sallust – taken from his other masterpiece De Bellum Iugurthinum:

Romae omnia venalia esse

something that even – and perhaps more than ever – nowadays sounds quite hopeless being Roma caput mundi… and considering that apparently humans do not seem to learn any lesson from history…

The world according to Petronius Arbiter…

Gaius Petronius Arbiter (or Titus Petronius Niger), highly refined character of Nero’s age and entourage, brilliant and genial narrator, intelligent and unagitated witness of the mounting decadence of his society and a witty spectator watching from his privileged stand the disintegration of its ideals and values, is the  author of the renowned Satyricon – and, according to Fabius Planciades Fiulgentius, of two other almost totally lost writings: Albutia and Eustion.

Petronius is a remarkable observer, marvellous portrayer and a insightful analyst of human nature and life’s circumstances. In those brief and scattered chapters of his masterpiece he glides, with the utmost non-involvement through Roman everyday life, describing any sort of characters and events. Reading the Satyricon is an inexplicable intellectual journey not simply through the outskirts of ancient Naples and the Vesuvian area, but through life’s occurrences and human nature that are both timeless.

Petronius simply delivers to his readers episodes at times even grotesque, erotic, vulgar, bizarre and monstrous and thus portrays, and in his own way reveals, the misfortunes and the spirit, in one word the actual life of the majority of Imperial Rome’s population. The characters of his tale are corrupted and corrupting pedagogues, old pirates, opulent slaves, bogus intellectuals, pitiless adventurers, desperados, prostitutes. Quite an odd gallery, unquestionably… and yet the author is able to find incidents and events that will show us also a human side in almost each of them.

Like in an unorganised cheap journey the reader will see immense and richly furnished mansions, marvellously decorated gardens but meet as well muddy narrow lanes, filthy inn-keepers, third class whorehouses, smutty pick-pockets, obscene bedroom protagonists, fat drunkards, shrewd cutpurses and swindlers of any kind. People whose petty lives and miserable stories flourish from their own crude words, mischievous behaviours and continuous fights. Additionally the Satyricon contains several erotic episodes and plots, nevertheless his author keeps far from being openly vulgar: the reader may hardly find plainly rude expressions and loud naughty talking. Quite often Petronius uses witty expressions and interesting periphrasis, sometimes even neologisms – this could be in my opinion another and additional reason due to which as Tacitus refers he gained being elegantie arbiter during Nero’s Empire.

Petronius literary style is a racy one; its development and tones strongly remind me of Sterne’s “Tristram Shandy”, though obviously less prolix… His verve and structure are very simple in accordance with the “Attic” parameters and quite far from any “Asian” stylish influence. His writing is zesty and vigorous, highly coloured and contaminated: it gathers from any possible dialect existing in the multiethnic “Rome” of his days, rich in idiomatic expressions and profusely drawing from the lingo, slang and street-jargon. Subsequently each character speaks his own Latin (with Greek, Syrian, Gallic influences) quite as well as he/she speaks his own mind and thus shows himself to the reader – plainly and shamelessly – just as he/she is.

Ultimately the Satyricon is a novel that speaks the truth, maybe via crude personages and odd situations, but it leaves room – or maybe hope – to what good is always possible patiently to find; a cross-section of Roman life without any reticence or fear, without any intention to criticise, censure or sermonise. A novel in truth without a real end or even a true plot; without any lesson to teach or a moral to metabolise, no cathartic experience is inducted, no preaching effect is expected. The author follows discreetly the petty stories, love affairs, swindles and wretched lives of his multifaceted personages, impeccably portrays the flaws and the vices of a collapsing empire and society.

Yet, during the depiction of these sorts of ancient Gogol’s “dead souls, runaways or rejected members of the society, shallow people without decent goals or plans Petronius remains an imperturbable reporter. In spite of his aristocratic origin and perspective Petronius, though being a nostalgic – perhaps not really that convinced – of the good old days when the Roman spirit had not been contaminated as yet by the wave of decadence that was flowing under his senses, is not the least judgemental. His narration is quite indulgent, he describes without deploring the ignominy of his personages, never deprecates their trivial goals and vulgar behaviour nor condemns their dishonourable actions. His portraying tone resembles more a gloomy and melancholic meditative one; and his infrequent commenting descriptions sound to me more of a sad loving fatherly smile and for some reason makes me think of Terence’s (Publius Terentius Afer):

Homo sum, humani nil a me alienum puto